the girl with no country

the only thing that matters is the understanding that everyone matters.

*

but i, being poor, have only my dreams; i have spread my dreams under your feet; tread softly because you tread on my dreams. - w. b. yeats

*

if i write for you, do you think you could read it? savor the words carefully chosen just for your eyes, your ears. for i am personal and i am illegible, in all manners and parts i am how you choose to see me.
These might be dandy
I follow these kids

Drawing Yourself In

I’m always on the ending 

end,

the I’m-sure-this-is-better

end,

and I turn back to my

latest collection of 

ts eliot

because he will speak to me

without expecting

much in return,

bookmarking the page 

rather than dog-earing it

is all he asks,

fitzgerald and hemingway,

franzen and dostoevsky

won’t turn me away

or ask for vulnerability

beyond tears shed for

invisible people

I’ll never meet

and I am safe

—————————————————————————

Minute 10

do we know

what lives we lead?

can we change the fated

stars

and pathways carved

for centuries?

upset the great plan,

and the great planner,

since we feel

quite small?

i dare you

———————————————————————————————————

Confession #3

I’m no good at

fighting

weapons just frighten

me

but give me

 a pen

and I’ll pen

you a 

sonnet

————————————————————————

Thomas

I took a vow to remain silent

Silence, that golden arch between two people

when their tongues are dry and their minds exhausted

I took this vow three years ago and haven’t spoken since

Not a simple “please”

has brushed past these lips, now saved for eating and drinking,

hugging spoonfuls of monastery soup between them like a kiss - 

the only kiss I’ll know for I have taken another oath.

I will never know love but His

never know body but His

never know belonging to anyone but Him

for I am His.

I will give my tears and my life to that glorious man whose love saved us all

“May He be with you,” says the Elder.

“And also be with you,” say the others.

I nod and bow in respect, my silence goes unnoticed.

I am the only silent one and the others keep their distance - 

their souls respecting my choice,

their humanity rejecting it.

And I walk through the halls in constant silent prayer, praising Nature and His gift

or that is what I am meant to do.

Instead I walk through the halls pondering death.

Pondering sex. Pondering the next meal and my cold feet.

But mostly I ponder the luscious feel of words over my tongue

the luscious l’s and o’s and w’s I haven’t spoken for three years.

I’m reading a new book,

The Brothers Karamazov by Dostoevsky.

It was banned here, and I hide it underneath the coarse folds of my robe, my own secret

for I have no one to tell.

But if I had,

they would think me heretical

for my new ideas are like heretics’.

I wonder over the situation of humanity

its cracks and divets

and I see no Savior.

I wonder over a distinct lack of compassion,

over the unbearable and bloodchilling life of the poor, their desperate faith

although He has given them nothing,

granted them nothing, ignored their prayers.

Why is it that a poor child dies of consumption,

or works in a mill before she can read,

or learns to sew not because she wants to be accomplished

but because there are so many holes and only two socks and no money to buy more?

What kind of world did He envision,

that the rich are able to tread upon the poor so assuredly,

that these youths are compelled to stay silent

while injustice forces itself into their god-forsaken lives (for truly He has forsaken them)?

How can I stay silent

when He has granted me the gift of speech

so that I can scream and scream to those with ears

about the travesty and awful mockery

His world is?

But there are rules in this world -

And I, being a holy man,

must comply. 

—————————————————————————-

A Slumber

Do not look forward to Death

but do not run foolishly away

it is no end I’ve seen and no beginning

and it does not take simply to take

it does not deliver

it is no thief

it will not harm you nor your children

there is no great beyond and no blinding white gate

but only a slumber in the Arms

of those you love

a slumber whose Dreams are 

ever changing and ever the same and never end

and to Dream is to live

live down the paths you once tread with the companions you once had

and held in the battered frozen nights to not feel so lonely

and when you find these long-lost dear companions once again

in your uninterrupted slumber,

treasure their words and looks for they will be your only thoughts

and your only remembrances

for your personal Eternity, so turn your back not on these

companions

for once they leave, you will regret sending them from  you

and you will regret not turning towards their

upturned bright young faces for a final look to last you

your Slumber, for,

my dear, you have not lived 

quite the life I have and know

Nothing

of the torturous long nights I’ve spent in the company of my guilt ridden remembrances and 

not my lovely companions

and the devil’s words are longing and kind

so I stayed with him awhile

after running so far away from Slumber that I did not remember

the sound of Dreaming and my shirt was torn and dirty

when he welcomed me to his tiny shack, the devil, we spent the hours

singing our desperate songs

to the tune of a half-strung Guitar and the sound of the drumbeats in my forgotten Heart

and after he’d struck the last chord he knew

I bit the devil goodbye and turned on down my lonely path towards Emptiness

and half remembered Dreams I wrote into the dust on my way

thinking of your sorrowful face

that turned me away with a last look

from your loving breaking steadily beating heart

and I slept alone.

—————————————————————————

Captain

There are words you don’t forget,

that certain kind of beauty and desperation

you feel when you read Whitman, Yeats

so come, my captain!

lead me onwards as far as you might

I will not question direction or reason,

but rather hang back with the others, my compatriots on this lonely road we take in

millions without thought or will

and there won’t be a foe stumbling across the way that I fear while

I hold my Whitman under my hand, armed with the power of words

against so many daggers, the drabness of thousands

because I will teach you how beauty feels,

how it will drink your soul

and form it anew,

in total disregard for your substance,

your title or name

and you will thank me.

—————————————————————————

Can You Hear the Youth in Their Love and Desperation?

the fire burning of the gaze 

struck

eyes avoiding - the light-patterend softness of your face 

glowed heavy amongst 

blue waves;

salt-filled wind

whispered slowly across our smiles

my hard shattered heart in pieces

beneath the blue

endless blue - 

crashing, light, against stones

pebbles our feet barely touched

a dance of the gull

the stretching blue

mimicking each other in perfect

dis

junction

—————————————————————————-

Minute 1

she stares at the thick

inch of dust 

coating the sill - disgusted.

but she does not move to wipe or clean it.

whatever for?

it will only come back and she will be 

the only

one to notice.

—————————————————————————

Affinity

Two figures

alone

on broken beaches

similarly punished

punished for mistakes not made

for everything went

as planned

lips stiffened

tables were set

orders were sent

children grew up

and England went to war.

—————————————————————————

Sylvia

Love me!

she cries

Her heart bared and her chest heaving

Love me!

You will love me!

She falls to the ground, hands reaching towards them

hands pulling at their empathy

A dying man’s clasp tightens around her heart

shredding it

And the faces nod, a smile shown behind a curved white hand

and a final chord struck by the orchestra,

Lovinglylovingly

The curtain drops down down to cover her tear-tracked fact

its fresh despair gleaming and miraculous

A toe slides out to stop the curtain

from touching rough floor

and her chapter hangs suspended

her last demand hangs suspended

in air brimming with the sound of

hands smacking hands together hands curved and white

and posh and glorious and ignorant

And her life ends.

-———————————————————————-

One day I read Gatsby

When you told me she was getting married

Hitched

Settled down

For life to that pompous beautiful blustering man

I could have run out the door,

Trampled the rose bushes

Taken the next train down to her house

Her house across the way

Where the shutters open in summertime to call me

Out to see my girl,

I could have run so fast you would have

Wondered

If I would never stop never stop.

I could have not waited pleasantly with my card on her stoop

I could have not tapped on the door onetwothree and then wait

I could have not walked up the stairs to meet your daughter

Your daughter

Your daughter.

I could have climbed over that high spiked fence with the sign

That reads “Buchanan” like my death note,

To crash through your walls

And scream and wail like the banshee you know I can be

And fail to read the sign on the fence

That reads “Buchanan” like my death note.

I’m running so fast to pull off your wedding ring

To throw it over the spiked fence with the sign

That reads “Buchanan” like my death note

The note I’ll leave by the wedding ring I could have taken

If I had run.

-———————————————————————-

Girls in dirty dresses with pennies in their fists

You saw him walking

sideways

down the main road

weeks ago

his feet dragged 

sideways

pathways

like quiet snails,

shoes scuffing, scuffed

hair ruffled

clothes rumpled

hands clutching his last

two dollars,

a dying grip

but his eyes so pure

and roped with gold

and he didn’t see

your dirty dress

or your five dollar shoes.

-—————————————————————

Invitations

Let’s run along

the wide cactus land

and trip on bramble seeds,

our naked feet flutter

the dance of 

ancient spirits is alive

and I am nearer

closer

than I’ll ever be.

-————————————————————————

In her hands

I’ll take your sorrow,

she said,

with careful hands

and drown it into myself

for I am infinite

and my heart is

shatterder

than yours

and I’ll have all the tea

I could need

for a venture like this one.

————————————————————————-
Bastard

When the letter arrived

three years overdue

She let it sit in the center of the table

for weeks

(damn that bastard)

she would think

every time she passed it in the kitchen,

wiping water from the corners of large russet eyes

(damn, damn that bastard)

(who leaves a note

after three years?)

she asks

And suddenly they’re back in their youth

and she is blooming

and she feels the faces searching, faces searching for her face,

one of many she can pull on, twist, snap, done

at just the right moment

for just the right man

on just the right occasion

Their not-quite-so-gentle hands grasp her waist,

not too tightly, but with assurance

she lowers lids, twitches corners of that famous mouth

and they know they have her

she’s known so many hands at her waist

and this one pair is nothing special

but

there were two hands

(damn that bastard)

two gentle hands

not possessive like others but wavering,

unsure

childish, nearly.

His eyes grey

like the damask of her gown that

pulls at her too tightly, creating the elegant effect mother loves so dearly

(damn that woman)

(too lost in her own remembrances

to notice a daughter drowning

in propriety)

but then the dance ends,

and he strolls away, turning a heel and

gone

dancing into blackness

like the Devil himself.

-————————————————————————

From the Bastard’s Point of View

(Catch her eye)

he whispers,

hands balled and tense like snakes,

coiled, forced into immobility

by an iron will

hands patting, pulling down nervous hairs

that fly free of pomade,

reaching towards the ceiling

like violets.

But now instead of russet eyes

he holds

her entirety

their affinity infinite

(hands too tight?)

he asks himself

(hands too high - 

too low - perhaps - )

and he wavers,

losing confidence,

eyes reaching towards her in the confusion of passion

as she lowers lids

Mustering courage, blinking furiously,

he follows steps

one two three, one two three

and forgets his hands,

trailing down the grey damask of her dress, hold

his solitary dream.

————————————————————————-

Minute 2

I’ll take these words

and

throw them

against the sky,

hoping

some might

stick.

-————————————————————————

Call it our creed, if you like

These are not things I know,

things I hold in the palm 

of my mind like a child

I have no child in me - 

I’ve grown,

or can’t you see it?

I am older,

the oldest I’ve ever been

and the things I know are things learned 

by observation, felt

by hearing

not the insignificant banter

you play with your child friends in that

playground

you call self-expression.

Your world consists of gingerly deciphered

rules

you picked up from old books about

the rules of chess,

not the realities I face

and we, the grown, do not play along.

Our rules are

created, and we,

the creators,

are mighty and few - 

the pens fly or linger and time is no object.

At the end of your game you return

in the triumph of twisting

three games together

to create a new one, and you think yourself

a god.

But we sit quietly by

and bleed over pages and pages,

too preoccupied with true creation

to notice your boasting.

-————————————————————————

Minute 9
think of loving someone

to distraction - 

this is no love that could

be measured in spoonfuls,

spoonfuls of love

this is the great tidal wave

of emotion,

pulling you into small,

clingy bits

that form together when 

eyes meet yours,

but fall apart while you are alone,

a glorious earful of breathless

promises

and your eyes, now open,

allow you to dream

just this 

once

-———————————————————————-

Untitled

No, don’t go on,

you tell me,

hands snatching at my 

long hair 

like you own me

I smile bitterly

through a clenched row of

straight white teeth,

twirling from your grasp

as I sprint down the road

-————————————————————-

Moment 2

it wasn’t the 

way things

had been planned

and my map didn’t 

go this 

far West-

I was lost,

breathlessly

wandering an uncharted plane

of opportunity

that flew before me

in all

directions - 

untethered, 

I run.

-———————————————————————

Moment 1

standing by the 

back door,

I rest a palm on

one hip swung 

sideways,

gazing blankly

away-

the children scream,

hands grasping

at dirt and sunshine

and they 

are wrapped in their 

own majesty,

unnoticed

-———————————————————————-

Minute 8

There are days I 

convince myself

that don’t matter,

they will not be 

taken down in the ledger of time,

recorded and preserved for 

turns and turns of generations,

their eyes

purchasing the story

like the latest penny

dreadful

and no one will have to know

will get to know

all this raw

truth

-————————————————————————

Admonishing Angels

what long floral clauses

you bring to this master

his pen overflowing

with wit and disaster,

a history of mankind

such tales and such glory

but what kind of child likes

their stories so gory?

I’m afraid, lord highest, 

your fame may be slipping

as angels turn mortal

the balance is tipping,

oh don’t blame yourself, sir,

for their failure to heed you

without that red apple

would they even need you?

-————————————————————————

Confession #2

I don’t write well

in confined spaces -

tie me up,

watch how much I 

don’t write,

I pull myself,

scrambling,

into the smallest hole possible

as the eyes burn towards me,

my form twisted 

into the smallest shape

possible

until you leave 

and I can breathe 

again

the words falling, flowing

like juice from a 

just-cut pear

-————————————————————————-

Introduction

if I write for you,

do you think you could read it?

savor the words

carefully

chosen just for your eyes,

your ears

for I am personal

and I am illegible,

in all manners and parts

I am how you choose

to see me

-————————————————————————-

Jungle Red

a thousand handfuls, grasping and

angry

fall to the street beneath outstretched arms

yearning to fly- fly

crushed red velvet

in drops of tears and blood

the failed flight documented

in whispers

of bystanders

like watchers at an execution,

grim but entertained-

and the petals won’t sell now

-————————————————————————-

Complaints

she had a 

beautiful face

and those kinds of faces

are given tickets

to the shows

my plain one doesn’t

merit.

-————————————————————————-

Of a November Night

new remembrance sounded in the Bells

faint impression, hurried knowledge

he knew not rosy-cheeked company

comfortable company

before a bright fire, the fragrance of hot tea and

muffins

lingered longer while

his idle fingers spread out, as if wishing to 

gain entry, 

push open the door

hear shouts of welcome.

-

“I’m glad to think we once had muffins,”

he mutters,

“it’s a sort of night that’s meant for muffins.”

-————————————————————————-

Minute 7

frustrated 

with the part you

were given since birth,

you spend your days

lonelily

walking the 

earth

————————————————————————-

Another Untitled

Fancy yourself a 

lifeline

tether me,

you braided rope,

and if 

you snap

let’s drown together-

away, away

-————————————————————————-

Scrambling

you feel like you’re falling

behind and behinder

as kids pull out words

just as easily as pulling 

the tabs off of 

the pages in books that you tagged

 because the words speak to you

 like your mom never did,

your sister underlines phrases

that broke your small heart 

because she needs to prove she read it 

to your rambling

grey

teacher who stands in the front

lecturing about whitman

and yeats like it’s a history class

and it’s all you can do not to

scream 

“o captain my captain”

and stand on your wooden chair,

wishing for robin williams

and a class full of poets

-————————————————————————-

Linear

Lining streets with

golden threads

what long and 

luminous

golden threads

we all tread paths

down the poised

cement

cruising lengths and 

lines

-————————————————————————

Minute 6

gingerly -

like walking over

cobblestones with bare feet

your toes grip 

each brick

-————————————————————————-

Unsure

what kind of stories do you 

truly want to hear?

there are a few worth telling

but fewer still

you’d stay for

-————————————————————————-

Minute 5

his feet pull

slippery trails along the

scorched brown earth,

a study in isolation

but never quite alone

————————————————————————-

There’s Time Yet

Dwindling,

you push ahead

the nights aren’t longer than 

the time you’ll need

to draw another chapter

for the yellow room

you pace

-————————————————————————-

Minute 4

There’s nothing so easy

as packing and leaving,

draw back from the window,

they charge you of thieving-

the night time sky pours forth

with orange-black resilience

oh, let the stars go with

their glows

and their millions

-————————————————————————-

This is England

buttering a slice

of thick wheat toast

he pulls his slippers off

and runs his feet along

the cold tile

-————————————————————————-

Coffee

the thankless barista

wipes out the blender,

pulling the off-white, 

slightly greyish towel

around and around,

crooning along with college rock

that 

tinkles from a cracked cream 

radio in the corner

as, outside, the light

falls faster.

-————————————————————————-

Proposing

Maybe I’ll see you around - 

I do the shopping

on Wednesdays

your fruit stand is 

more expensive

than his, but

your dimples are 

worth it

-————————————————————————-

And so it goes

chimney tops

dot

the purple-grey 

sky,

a sign of more

winters

to come

-————————————————————————-

Allowances

grandiose,

his words rang

false

such half-attempted apologies

we all accept

because refusing

would leave us alone.

-————————————————————————-

If you would

Persuade me to

deliver

a hand-drawn map

of tears

to a certain stranger,

and I’ll tell you the entire story,

leaving out the

names and faces - 

you’ll fill in your own

and we’ll see

how different

we aren’t.

-————————————————————————-

Minute 3

Our feet beat

rhythms on the 

quite church-like streets

granting sinners pardons

because the day is bright

and they deserve

just one more chance

-————————————————————————-

Musings

he darkest of hues,

a stretching silence, savored and stolen memories

blank pages of sound

clicks of a typewriter

punch the silence, 

lonely silence - hush.

ca-clicka-click

ding

rhythm becoming background to the scene

paper peeling precariously

off white-washed walls

as he ignores her,

smoking,

grey clouds enveloping - 

she sits at the window gazing out to the 

spring-like showers

and bunches of flowers

that reflect the sun’s

bright brazen beams

and longs to be a dewdrop

on the petal

of a rose.

-————————————————————————-

Vermillion

She was always ethereal

glowing by night,

shining by day

not quite there and transparent

she felt thin, other-worldly

like some displaced daughter of the Moon,

outshining the bland-faced stars

one-in-a-million

but she was vermillion

and jealousy, it killed her

snuck under carpets, through cracks and finally

breathed itself not her star friends

(and so they killed her)

the stars, they killed her

but when her light had finally flickered out

none of the stars shone any brighter

than they had before

and so she died for meaningless ends,

meaningless means, meaningless ways

and the vermillion Moon daughter

erased.

————————————————————————-

Soldiering

with sticky fingers

and a grin like Chesire’s,

he flies about the cramped room,

lightly smacking the floor with his free hand

as the other adjusts the soldier’s arms, the left straight at attention

the right slightly wobbling 

in and out 

of its wooden socket,

a plaything that’s seen better days.

he sucks on the right arm

the pained sleeve and buttons

gone as the wood peeks through the remains of a red jacket - 

mama stands by the pantry and sighs

“tonight will be a hungry night,” she says,

adjusting her thin sweater.

-————————————————————————-

Today

our green hats

tipped with flakes

resemble snow-covered 

clovers - 

an odd thing for March

————————————————————————-

Mired

they are slaves

though they were created

rebels

such infinities of longing,

the fast and dangerous nature of passion,

and now,

calm and passive slumber -

away with the dreamers

and sinners!

the song writer’s voice dies out with the sunshine

and darkness pervades,

evading entrapment

by working its clever way into men’s minds

their souls bare,

stripped clean and seeds planted anew

eyes dim as memories return to the book,

the source of their undoing

-————————————————————————-

Cranberries

cranberries

not often recalled

the juice tangy not sweet

enough

leaves you craving

they knew exactly what

they did,

the juicemakers

the seed bearers and the planters

- they know your taste

far better than you do

-————————————————————————-

Things we’ll do today

what dreams have you

brought

to me today, thief?

dreams of children or of lovers?

we’ll pile them 

high, (careless stacks

caress these walls)

and read them like books

a trellis we’ll make with 

imaginings

your darker wishes and my 

fiery ones

licking the tops of the pages

like flames

in the kindling

-————————————————————————-

Questions

What kind of mother tells

her children stories of

a man killing his own son?

(my ears closed hands

tugging the book from the 

shelf hands tearing pages

cleanly out hands flipping

the broken binding into a 

dark space it will join the

peels and old paper)

I won’t tell my children

of such things.

-———————————————————————

Locks

when your hair tangles

easily

your fingers catching in its

twisted ends

I’ll comb it for you

my hands as gentle as 

your lips

my heart as open as

your eyes

-———————————————————————

A Justification

If you use the word

realistic

to describe my work,

it would sound to me like

a death sentence,

(the bell tolling on my existence and I climb

heavy wooden steps towards the scaffold).

No,

I don’t try for realism,

truth,

or ordinariness.

My work is not here

to entertain you - 

it’s for me.

I will never be one of 

those girls

who have lunches paid for

by strange handsome men

in small steamy cafes

miles away from home.

But in a poem,

I could be.

I won’t fall prey to the snickers

of a scoundrel, thoughts of a thief

but I, being a character

in this poem I write for myself,

could.

You may call me romantic

or larger than life-

Yes,

I’d rather like that

words can make my life larger

than it is

and that is why

we writers write.

-———————————————————————

Pierce

I can’t explain,

make excuses

for the way I love that

silver sliver

slithering

around your lip, 

a tiny rebellion

your tongue feels its thin metallic edge

you taste my name

———————————————————————

Minute 9

think of loving someone

to distraction - 

this is no love that could

be measured in spoonfuls,

spoonfuls of love

this is the great tidal wave

of emotion,

pulling you into small,

clingy bits

that form together when 

eyes meet yours,

but fall apart while you are alone,

a glorious earful of breathless

promises

and your eyes, now open,

allow you to dream

just this 

once